If You Are an Author, You Can Go Home Again – and It's Really Nice

Appropriately, I chose my former hometown of Bridgeton, New Jersey to hold my first event for my new book Come Together: How the Baby Boomers, the Beatles, and a Youth Counterculture Combined to Create the Music of the Woodstock Generation

I spent four hours at the Bridgeton Library last Saturday selling and signing books. And here is the great news – I arrived in Bridgeton with 65 books and returned to DC with 0 books. Even better, however, was the fact that I got to catch up with so many friends, former bandmates, ex-students, and family members.

At some points, the signing line was long.
Here I talk to someone before signing a book for my high school classmate Karen Dunfee.
One of my oldest friends, Tom Hayes, was the first person to greet me at the library one-half hour before the event was scheduled to start.
Here is Rock Fooks, the lead vocalist in both my high school band The Sixth Chapter and my 1970s touring band Frog Ocean Road. A ton of memories in this photo.
Four of my many former students who stopped by — Neil Oberlin, Josh Williams (who is also an author) Brandi Grey, and Zane Grey.

Dave Price to Tour To Promote His Classic Rock Book Come Together

If you consider 1965’s “Like a Rolling Stone” by Bob Dylan and “(I Can’t Get No) Satisfaction” by the Rolling Stones as the first two great classic rock singles and the Beatles’ Rubber Soul as the initial classic rock album (which most musicologists do), then that makes the genre 55 years old next year. 

But as 2019’s evidence shows, you can rightfully claim classic rock is barely showing its age for a type of music that, if it were a person, would be eligible for membership in AARP in 2020.

Times for older classic rock artists continue to be productive. For example, three of the top five grossing concert acts this year – Elton John, Metallica, and Fleetwood Mac – perform classic rock. Bruce Springsteen offered 236 solo shows over two years on Broadway, with ticket prices averaging $500 a seat from the box office and more than $1,000 from re-sale. Aerosmith, John Fogerty, Santana, Sting, Rod Stewart, Def Leopard, and Journey all played sold-out residency shows at Las Vegas’ top casinos. The Rolling Stones wrapped up their three-leg, three-year No Filter tour, a series of stadium concerts that attracted 2,290,871 fans and grossed $415.6 million for the band. And the Beatles’ re-release of Abbey Road climbed to #1 on the charts, exactly 50 years after the album first accomplished that feat 50 years ago.

These eye-opening facts evoke two big questions – how did the rock music now deemed classic, which evolved from 1950s rock & roll, become so popular with the Woodstock Generation and why does it continue to thrive despite the fact that most of its first listeners are now in their 50s, 60s, or 70s? 

In a three-book series he jokingly refers to as his Rock of Agers trilogy, Washington DC author and former journalist, educator, and classic rock keyboard player Dave Price explores the history of the music of the generation who came of age in the turbulent 1960s and ‘70s and attempts to explain the music’s popularity then and now.

The first book in the series, Come Together: How the Baby Boomers, the Beatles, and a Young Counterculture Combined to Create the Music of the Woodstock Generation was released in November. 

Come Together begins with the dropping of the first atomic bomb in 1945 and ends with the final notes Jimi Hendrix played on the last day of the historic Woodstock Festival in 1969. The saga is told in six chronological chapters. In the first, you’ll see how a connected series of innovations, influences, and influencers in the late 1940s and early 1950s paved the way for the rise of rock & roll. The second introduces you to some of the most important early performers of this new music. The third allows you to see how the Beatles reshaped rock & roll both on stage and in the studio. The fourth places you in San Francisco in the summer of 1967, where a new youth “hippie” counterculture was being formed around revolutionary ideas about the role of drugs, sex, and rock & roll in American society. The fifth demonstrates how two of the most significant artists of the late 60s – Jimi Hendrix and the Rolling Stones – crafted some additional touches to the type of music that would be encountered at Woodstock. In the 6th chapter, we’ll end our musical journey and join a crowd of 400,000 to vicariously experience the most-noted music festival of all-time at the historic upper New York state farmland where rock & roll emerged as something which now would soon be known simply as rock.

The second volume in the series, What’s That Sound?  80+ Artists Who Defined the Music of the Woodstock Generation, will pick up with Hendrix’s fading final notes and conclude 50 years later at the 50th anniversary commemoration of that 1969 festival, held at the original site. It is scheduled to be published in late 2020.

The third and final “Rock of Agers” book is tentatively titled Long Live Rock: Why Do the Classic Sounds of the Woodstock Generation Continue to Resonate So Loudly Today. It will delineate two connected stories – the various ways the sounds of classic rock are being preserved and passed on to new listeners and how you can experience the entire history of classic rock by sailing on four Woodstock-like music themed cruises. Long Live Rock is planned for a late 2021 released.

Price will begin a four-month tour to promote his new book with an appearance in his former hometown of Bridgeton, New Jersey, where he lived for 59 years. On Saturday, Dec. 7th, he will stage a meet and greet and a book signing at the Bridgeton Free Public Library from 11 a.m. to 3 p.m. He will be donating $1 from the sale of each book to the library.

“The Bridgeton Library is a very special place to me so it’s fitting that I begin there,” Price says. “Libraries in general, and the Bridgton Library in particular, have always served as my secular cathedrals. They truly are amazing places. You can learn just about anything you need to know if you take advantage of all the resources a local library offers”. 

“I’m sure I wouldn’t have been in position to write any book without the enjoyment, elucidation, and enlightenment that I found in all the libraries I have visited over the years,” Price added. “To me, my library card is just as important as my credit card or my driver’s license. I never leave home without it.” 

My First Book Published Today

For my first 64 years on the planet, I never gave any serious thought to writing a book. But in 2017, I discovered the main thing you need for a book – a good idea. Sailing on our first-ever rock cruise, which featured Gregg Allman, I discovered 2,700 rock fans paying at least $2,000 each to hear music that was supposed to be just a passing teenage fad in the mid-1950s. I wondered how exactly did this come to pass.

And now today, 3 years later, my first book — Come Together: How the Baby Boomers, the Beatles, and a Youth Counterculture Combined to Create the Music of the Woodstock Generation — has been published and released.

For now, it is available exclusively at the Politics and Prose book store in Washington, DC. It can also be ordered from the Politics and Prose website. However, the book will be rolling out in other places and as an e-book soon.

Here is the cover.

The King of the Strip: Elvis in Vegas

Although Elvis Presley would later become as influential in Las Vegas as Frank Sinatra and the Rat Pack who ruled the flashy entertainment scene in the 1950s and early 1960s, Presley’s first reception in the Nevada city of garish neon, glittering showgirls, and 24-hour gambling was far from a triumph for the hip-swiveling young star from Memphis.

In fact, Elvis’ debut in the 1,000-seat showroom of the refurbished New Frontier casino on April 23, 1956 was a flop. Backed by his three-piece group, guitarist Scotty Moore, bassist Bill Black, and drummer D.J. Fontana, Presley performed a 12-minute set consisting of just four songs – “Heartbreak Hotel,” “Long Tall Sally,” “Blue Suede Shoes,” and “Money Honey”.

The critics were savage. “Elvis Presley, coming in on a wing of advance hoopla, doesn’t hit the mark here,” wrote the critic for Variety. “For the teenager, he’s a whiz; for the average Vegas spender, a fizz”.

Meanwhile Newsweek contended the 21-year-old rock and roller was “like a jug of corn liquor at a champagne party”.

However, 13 years later, when Presley returned, he initiated a casino career that would make him a Vegas legend, transform the way entertainment was presented in the city, and create a local industry of Elvis impersonators and Presley-themed wedding chapels that is still operating today.

In his latest book, Elvis in Vegas: How the King Reinvented the Vegas Show, author Richard Zoglin details Presley’s casino showroom concerts that helped revitalize his career, as well as those near his death that demonstrated what a bloated, tragic figure the King of Rock, who died at age 42, had become.

“Elvis had a huge impact on Las Vegas,” writes Zoglin. “It raised the stakes, both in terms of money (his $125,000-a-week salary was a record at the time, soon to be surpassed) as well as production scale and promotional hype.” It also attracted a new breed of middle-class, mom-and-pop pilgrims from Presley’s vast, now multi-generational fan base, who traveled to see the King as well as play the slots. Vegas began to shed its seedy mobster trappings and morph into a family-friendly destination spot with a corporate sheen”.

In a review of Zoglin’s book in The Wall Street Journal, Eddie Dean says while Elvis definitely benefitted from his residencies, Las Vegas might have been even a bigger winner. “Las Vegas may have gotten more in the bargain than did its most enduring celebrity, who is still a presence there: from the scores of Elvis impersonators to shrines like the Graceland Wedding Chapel, where fans the world over come to tie the knot”. 

So what is Presley’s true Vegas legacy? In Zoglin’s view, it’s the way he opened up Sin City to a broader range of music styles and ultimately to a new sort of spectacle. “Elvis created the model for a different kind of Vegas show: no longer an intimate nightclub encounter for an audience of a few hundred, but a big-star extravaganza, playing to thousands,” Zoglin contends.

My Ultimate Elvis Live Show

  • That’s All Right
  • Trouble/Guitar Man
  • Heartbreak Hotel
  • Runaway
  • Polk Salad Annie
  • Return to Sender
  • Hard Headed Woman
  • Little Sister
  • The Wonder of You
  • A Big Hunk o’Love
  • I’m So Lonesome I Could Cry
  • You Gave Me a Mountain
  • Fever
  • T-R-O-U-B-L-E
  • In the Ghetto
  • Suspicious Minds
  • Burning Love
  • A Little Less Conversation
  • If I Can Dream
  • Hound Dog
  • Jailhouse Rock

Patti Smith Describes Her Year of the Monkey

By Dave Price

As a creator of songs, poems, prose, and visual artwork, multi-talented poet laureate and grandmother of punk rock, Patti Smith, now 72, continues to achieve the success she was hungering for as she was coming of age in a working-class community in southern New Jersey in the 1950s and ‘60s.

Her first album Horses, released in 1975is ranked number 44 on Rolling Stone magazine’s list of the 500 greatest albums of all-time and number 10 on its list of the best debut LPs. In 2009, the Library of Congress placed Horses on its National Recording Registry for its cultural, historical, and aesthetic significance.

Her book Just Kids, which described her relationship and life with controversial artist Robert Mapplethorpe in New York City, won the 2010 National Book Award for nonfiction. 

In 2005, the French Ministry of Culture awarded Smith the title of Commandeur des Arts des

Lettres, the highest honor given an artist by the French Republic. In 2007, she was inducted into the Rock and Roll Hall of Fame. In 2016, she attended the Nobel Prize Award Ceremony in Sweden on behalf of Bob Dylan, that year’s winner of the Nobel Prize in Literature, who could not be present due to prior commitments.

Earlier this month Smith appeared at George Washington University here in Washington, D.C., to talk about her new book Year of the Monkey. She told those of us in attendance that this was her first presentation on the work, which had just been released that day, and she was planning to try a few things out to see how they worked. Smith’s ideas included performing four songs live as a duo with her band’s bass player, Tony Shanahan. Smith and Shanahan’s stunningly powerful version of “Pissing in a River” (see YouTube video at top of page) prompted a deserved standing ovation. Smith, who has been known since the ‘70s for her activism especially on climate change and the environment, also offered a cover of Neil Young’s “After the Gold Rush” with its classic line “look at Mother Nature on the run in the 1970s”.

As for the book, Year of the Monkey, combines fact and fiction to create a dreamscape of the year 2016. Much of the book deals with four significant changes familiar to all of Smith’s fellow Baby Boomers – aging, change, loss and death.

Here is one of my favorite segments on that topic from the chapter entitled “Imitation of a Dream” that Smith read to the audience:

I suddenly felt dead – no, not dead, more other-worldly, a grateful kind of dead. I could feel life scurrying about, a plane overhead, the sea just beyond, and the unfolding note of “Dark Star” (a classic Grateful Dead tune) drifting through the grid of my screen door. I could not bring myself to move, and let myself be transported elsewhere, long before I knew Sandy (her long-time friend who had just died), long before I listened to Wagner, to another summer at the Electric Circus, where a young girl slow-danced with an equally young boy, awkwardly in love”.

In another favorite passage, Smith speaks for so many of her generation when she writes:

I had bad feelings about an election in the Year of the Monkey. Don’t worry, everyone said, the majority rules. Not so, I retaliated, the silent rule and it will be decided by them, those who do not vote. … Election night I joined a gathering of good comrades and we watched the terrible soap opera called the American election unfold on a large-screen TV. One by one each stumbled off into dawn. The bully bellowed. Silence rules. Twenty-four percent of the population had elected the worst of ourselves to represent the other seventy-six percent. All hail our American apathy, all hail the twisted wisdom of the Electoral College.

Finally, here is a link to an article on Smith by Karen Heller that appeared in The Washington Post just prior to her book talk sponsored by Politics and Prose.

10 Must-Listen-To Songs by Patti Smith

  • Because the Night (from Easter)
  • Pissing in a River (from Ethiopia)
  • Gloria: In Excelsis Deo (from Horses)
  • Frederick (from Wave)
  • Gimme Shelter (cover of a Rolling Stones’ song from Twelve)
  • My Blakean Year (from Trampin’)
  • Wicked Messenger cover of a Bob Dylan song from Gone Again)
  • Dancing Barefoot (from Wave)
  • People Have the Power (from Dream of Life)
  • Trampin’ (from Trampin’)