Welcome to Talking ‘Bout My Generation

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Hi. I’m Dave Price and I operate a writing/speaking/tour guiding practice in Washington, DC. Before that, I was a journalist (10 years) and an educator and educational consultant (34 years).

I am focusing on 3 subjects:

  • the Baby Boomer generation
  • classic rock and
  • free speech, protest, and other 1st Amendment issues

As a Book Author: I am awaiting publication (now set for late October) of my first book in my 3-book series on classic rock entitled Come Together: How the Baby Boomers, the Beatles and a Young Counterculture Combined to Create the Music of the Woodstock Generation.

As a Freelance Writer: I am a senior contributor to the digital hub Booming Encore

As a Speaker: I deliver lectures for Smithsonian Associates and other venues here is DC. This is my summer 2019 program for the Smithsonian.

As a Tour Guide: I lead First Amendment tours at the Newseum on Pennsylvania Avenue.

Here at my Website: Talking ‘Bout My Generation contains my writings, my photos, and articles of interest from others dealing with the Baby Boom generation (those of us born between 1946 and 1964), classic rock (music from the ’50s/’60s/’70s) and issues that center around our freedoms as specified in the First Amendment of the Bill of Rights.

Three other places online you can find my writing are at my blog Write On with Dave Price and on my featured writer sites at Booming Encore, where I still contribute regularly, and at Sixty and Me, where I was a former contributor.

Here is a link to an online version of what academics call a CV and most of us call a resume. You can find out more there about who I am and what I have done there. Thanks for checking out my writer/speaker/tour guiding page. I hope you find things here to interest you and keep you coming back.

From my musical years playing in some of the loudest, least legendary bands in the Philadelphia/ South Jersey Shore area.

Music Monday (12.2.19) – Woodstock

How much do you know about Woodstock, that most-famous of rock festivals held 50 years ago in 1969 on farmland in upstate New York? Well, you could learn even more if you were to pick up and read my latest book, Come Together: How Baby Boomers, the Beatles, and a Youth Counterculture Combined to Create the Music of the Woodstock Generation.

Come Together is now available exclusively at the Politics and Prose bookstore in Washington, DC or it can be purchased here through the Politics and Prose website.

I Read the News Today, Oh Boy 12.1.19

Each Saturday, Talking ‘Bout My Generation posts links to articles of interest to Baby Boomers which appeared in various news sources earlier in the week.

Beatles Tunes Power Pepperland

By Dave Price

1967 was a year filled with psychedelic sights and mind-expanding sounds. 

On London’s Carnaby Street, fashion boutiques were offering hip, wild, colorful clothing for with-it British men and women. Meanwhile, young Americans from San Francisco to New York City were letting their hair grow long, while simultaneously tuning in and turning on to marijuana, LSD, and the sounds of Jimi Hendrix, Pink Floyd, and the Vanilla Fudge. And reflective of all that was swirling around them, the Beatles produced their pot and acid-drenched masterpiece Sgt. Pepper’s Lonely Hearts Club Band.

To say that the album was revolutionary in its time is understatement. But earlier this month, the Mark Morris Dance Group proved that more than 50 years later, there still is innovation to be found in the musical masterpiece.

For three sold-out nights at the Kennedy Center in Washington DC, the New York City-based dance company, directed by noted ballet and opera choreographer Mark Morris, presented the group’s reworking of Sgt. Pepper’s titled Pepperland, a stunning visual dance performance set to six much-altered Beatles songs and seven original pieces composed by pianist Ethan Iverson. 

Here is a summation of the one-hour performance from score notes by Iverson, who led the seven-member live pit band which included a single vocalist, two keyboardists, a trumpeter, a trombonist, a percussionist, and, most interestingly, a theramin player. (For those not familiar with the theramin, and many in the performance hall were not, the one-of-a-kind electronic instrument is a single oscillator with two metal rods used to change pitch and amplitude controlled by a single performer using hand gestures above the rods):

Sgt. Pepper’s Lonely Hearts Club Band

  • The original album ended with an unprecedented effect, a very long chord. Fifty years later, perhaps a similar chord is a good place to begin …

Magna Carta

  • A formal invocation of personalities from the LP cover

With a Little Help from My Friends

  • When Ringo sang it, he was on top of the world. Our version is more vulnerable.

Adagio

  • In an age of Tinder, a Lonely Heart advertisement might seem hopelessly quaint. But everyone has always needed to find a match.

When I’m Sixty-Four

  • In between 6 and 4 is 5. All three counts (to the bar are heard) are heard beneath the music-hall scuffle.

Allegro

  • A single offhand line from “Sgt. Pepper” germinates into a full-fledged sonata.

Within You Without You

  • George Harrison’s sincere study of Indian music aligns easily with another Harrison interested in bringing the East to the West: the great composer Lou Harrison, one of Mark Morris’s most significant collaborators. The hippie-era sentiment of the lyric remains startlingly fresh and relevant today.

Scherzo

  • Glenn Gould said he preferred Petula Clark to the Beatles. Apparently, Gould, Clark, and a chord progression from “Sgt. Pepper” all seemed to have inspired this mod number.

Wilbur Scoville

  • The first thing we hear on the LP is a blues guitar lick, here transformed into a real blues for the horns to blow on. Wilbur Scoville invented the scale to measure hot sauce: The original Sgt. Pepper?

Cadenza

  • After seeing Bach’s Brandenburg on the telly, Paul McCartney came into the studio and told George Martin to add piccolo trumpet to “Penny Lane”. Indeed, detailed references to European classical music are one reason so many Beatles’ songs still stump the average cover band.

Penny Lane

  • Not on “Sgt. Pepper,” but nonetheless originally planned to be, and, of course, especially relevant to the city of Liverpool.

A Day in the Life

  • Theremin nocturne, vocal descant, apotheosis.

Sgt. Pepper’s Lonely Hearts Club Band

  • Another unprecedented effect on the original LP was a reprise of the first theme, which is part of why it is called the first concept album. Our later vantage point enables us to project into the next decade, the ‘70s, and conjure a disco ball. Thank you, Beatles. Thank you, Sgt. Pepper.

Dave Price to Tour To Promote His Classic Rock Book Come Together

If you consider 1965’s “Like a Rolling Stone” by Bob Dylan and “(I Can’t Get No) Satisfaction” by the Rolling Stones as the first two great classic rock singles and the Beatles’ Rubber Soul as the initial classic rock album (which most musicologists do), then that makes the genre 55 years old next year. 

But as 2019’s evidence shows, you can rightfully claim classic rock is barely showing its age for a type of music that, if it were a person, would be eligible for membership in AARP in 2020.

Times for older classic rock artists continue to be productive. For example, three of the top five grossing concert acts this year – Elton John, Metallica, and Fleetwood Mac – perform classic rock. Bruce Springsteen offered 236 solo shows over two years on Broadway, with ticket prices averaging $500 a seat from the box office and more than $1,000 from re-sale. Aerosmith, John Fogerty, Santana, Sting, Rod Stewart, Def Leopard, and Journey all played sold-out residency shows at Las Vegas’ top casinos. The Rolling Stones wrapped up their three-leg, three-year No Filter tour, a series of stadium concerts that attracted 2,290,871 fans and grossed $415.6 million for the band. And the Beatles’ re-release of Abbey Road climbed to #1 on the charts, exactly 50 years after the album first accomplished that feat 50 years ago.

These eye-opening facts evoke two big questions – how did the rock music now deemed classic, which evolved from 1950s rock & roll, become so popular with the Woodstock Generation and why does it continue to thrive despite the fact that most of its first listeners are now in their 50s, 60s, or 70s? 

In a three-book series he jokingly refers to as his Rock of Agers trilogy, Washington DC author and former journalist, educator, and classic rock keyboard player Dave Price explores the history of the music of the generation who came of age in the turbulent 1960s and ‘70s and attempts to explain the music’s popularity then and now.

The first book in the series, Come Together: How the Baby Boomers, the Beatles, and a Young Counterculture Combined to Create the Music of the Woodstock Generation was released in November. 

Come Together begins with the dropping of the first atomic bomb in 1945 and ends with the final notes Jimi Hendrix played on the last day of the historic Woodstock Festival in 1969. The saga is told in six chronological chapters. In the first, you’ll see how a connected series of innovations, influences, and influencers in the late 1940s and early 1950s paved the way for the rise of rock & roll. The second introduces you to some of the most important early performers of this new music. The third allows you to see how the Beatles reshaped rock & roll both on stage and in the studio. The fourth places you in San Francisco in the summer of 1967, where a new youth “hippie” counterculture was being formed around revolutionary ideas about the role of drugs, sex, and rock & roll in American society. The fifth demonstrates how two of the most significant artists of the late 60s – Jimi Hendrix and the Rolling Stones – crafted some additional touches to the type of music that would be encountered at Woodstock. In the 6th chapter, we’ll end our musical journey and join a crowd of 400,000 to vicariously experience the most-noted music festival of all-time at the historic upper New York state farmland where rock & roll emerged as something which now would soon be known simply as rock.

The second volume in the series, What’s That Sound?  80+ Artists Who Defined the Music of the Woodstock Generation, will pick up with Hendrix’s fading final notes and conclude 50 years later at the 50th anniversary commemoration of that 1969 festival, held at the original site. It is scheduled to be published in late 2020.

The third and final “Rock of Agers” book is tentatively titled Long Live Rock: Why Do the Classic Sounds of the Woodstock Generation Continue to Resonate So Loudly Today. It will delineate two connected stories – the various ways the sounds of classic rock are being preserved and passed on to new listeners and how you can experience the entire history of classic rock by sailing on four Woodstock-like music themed cruises. Long Live Rock is planned for a late 2021 released.

Price will begin a four-month tour to promote his new book with an appearance in his former hometown of Bridgeton, New Jersey, where he lived for 59 years. On Saturday, Dec. 7th, he will stage a meet and greet and a book signing at the Bridgeton Free Public Library from 11 a.m. to 3 p.m. He will be donating $1 from the sale of each book to the library.

“The Bridgeton Library is a very special place to me so it’s fitting that I begin there,” Price says. “Libraries in general, and the Bridgton Library in particular, have always served as my secular cathedrals. They truly are amazing places. You can learn just about anything you need to know if you take advantage of all the resources a local library offers”. 

“I’m sure I wouldn’t have been in position to write any book without the enjoyment, elucidation, and enlightenment that I found in all the libraries I have visited over the years,” Price added. “To me, my library card is just as important as my credit card or my driver’s license. I never leave home without it.”